In Part 2 of a 2-Part episode, Somewhere in Time welcome Greg Gonzalez and Rob Harris back to the podcast to discuss the Clutch album, “Transnational Speedway League: Anthems, Anecdotes and Undeniable Truths”. This is the debut, full-length album from Clutch. Tim, Joe, Eric, and Keith grew up in the D.C. area and fell in love with this band in 1993. Among many other topics, this episode covers their discovery, as well as how Rob and Greg came to find out about this band, and their reaction upon hearing them the first time.

In Part 1 of a 2-Part episode, Somewhere in Time welcome Greg Gonzalez and Rob Harris to the podcast to discuss Buffalo’s own Snapcase. The album is 1993’s “Lookinglasself”. Rob and Greg grew up in Buffalo and played in a hard-core band who were contemporaries of Snapcase.  Episode 2 will feature D.C. native’s, Clutch. Part 1 dives deep into the Buffalo hard-core scene and Greg and Rob have a lot of great stories about growing up with Snapcase and other Buffalo hard-core bands.

Episode 7 of their discussion on albums celebrating 30-year anniversaries this year finds Somewhere in Time Podcast talking all things “Bastards” by Motorhead. A relatively under looked album by Motorhead, mostly due to lack of wide distribution to America, the album is kind of a return to form after March or Die, but also features some really thrashy and heavier stuff for Motorhead. 

Somewhere in Time Podcast discusses two 1993 albums in the sixth episode of a series of episodes about albums celebrating 30-year anniversaries this year. “Set the World on Fire” by Annihilator and “Individual Thought Patterns” by Death.

Episode five of Somewhere in Time’s retrospective look on albums from the year 1993 has them discussing the albums “Pussy Whipped” by Bikini Kill and “In Utero” by Nirvana. These bands have a pretty significant connection when it comes to the sounds coming out of Seattle in the early 90’s and a very significant connection regarding a specific song. This is the last full length album of original material from Nirvana. How does it compare to their megahit album, Nevermind?